Anthologies
(Finger Lakes Anthology)
(Endangered Species Anthology)
(Susquehanna Watershed Anthology)
(Auburn Prison Anthology)
Knocking on the Silence
An Anthology of Poetry
Inspired by
The Finger Lakes
Edited by
Donna M. Marbach
and
Patricia Roth Schwartz
Cover art by Dorothy Harrison
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Knocking on the Silence is a 120 page
hand-sewn book with spine - $19.95
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The Dire Elegies
59 Poets on Endangered Species of North America
(Ordering Information Below)
Illustartion by David M. Carroll
Karla Linn Merrifield, chief editor, and co-editor Roger M. Weir have assembled a first anthology of its type in the world to inspire readers to take action on behalf of the continent's endangered plants and animals.
"Poets here have left their ivory towers to encourage their neighbors to walk in the woods, observe the world, learn - and act,” said Merrifield, who teaches writing in the New York state university system.
Dr. Edward O. Wilson, world-renowned Harvard entomologist and two-time Pulitzer-Prize winning author, points out in the epigraph to this unique collection of poetry, “…the better an ecosystem is known, the less likely it will be destroyed.”
This is the premise of “THE DIRE ELEGIES: 59 Poets on Endangered Species of North America” and why author Bill McKibben (“The End of Nature,” “Enough,” and “Wandering Home”) says in the book's foreword, “These magnificent poems work as a chant to summon more” of the love to save the endangered from extinction. It's also why writer Susan Cerulean (“Tracking Desire: A Journey After Swallow-tailed Kites”) has called the book an “important manifesto: a must-read for our times.”
Included in the anthology are noted poets William Heyen, Maxine Kumin, W. S. Merwin, Enid Shomer, James E. Smelcer, Gary Snyder, Brian Swann and Lewis Turco among others. The 59 poets are from all across the U.S. and Canada.
The book's cover illustration depicting painted turtles in hibernation was donated by New Hampshire artist and naturalist David M. Carroll, recipient of The Burroughs Award for his Swampwalker's Journal: A Wetland's Year.
Science Meets Poetry
A helpful feature of the anthology is the species notes that accompany the poems each time a new species is introduced.
For example, when readers encounter Minnesota poet Shirley S. Stevens's poem “On Spotting a Pygmy Owl,” they also learn: “The endangered cactus ferruginous pygmy owl, Glaucidium brasilianum cactorum, of the U.S. Southwest and Mexico, numbered only 12 birds when it was listed in the U.S. in 1997. A USF&WS recovery team began its work to rescue the species in 1998, but its fate remains precarious.”
“This anthology is a major advance along a most important frontier: forging compassion for endangered species, and using our human self-awareness to reflect on whether we really wish to travel the road we're on.,” said Carl Safina, author of Song for the Blue Ocean and Voyage of the Turtle, and founder and president of the Blue Ocean Institute.
The Dire Elegies
is a 120 page hand-sewn book with spine - $19.95
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Send orders to:
FootHills Publishing
PO Box 68
Kanona, NY 14856
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Listening to Water
The Susquehanna Watershed Anthology
Edited by Jennifer Hill-Kaucher and Dan Waber
Cover Art by Christine Goldbeck
Introduction
We were sharing poems our favorite way, among friends, over beverages, within the slow swirl of an autumn breeze, at the dining room table, when Michael asked us if we'd be interested in editing an anthology for him and FootHills Publishing. Sure, we said, what sort of anthology? Michael went on to tell us how he thought it would be appropriate to put together an anthology of poems from the Susquehanna Watershed area, because that's what FootHills' first book had been, almost 20 years ago. Who would dream of saying “no”?
In the process of putting together the collection you now hold in your hands we used several criteria. First, the poems selected had to strike us both as being excellent poems. Second, the excellent poems had to be emblematic of the anthology's area of focus, the Susquehanna Watershed. By “emblematic” we mean that they had to perform the dual function of making residents of the area say “yes, that's us all right” and allowing non-residents to say “oh, now I understand the region better.” Third, the excellent, emblematic poems had to blend organically with the other poems selected. We didn't want to assemble a collection that throbbed with flashpops of disconnected poems. We wanted to assemble a collection that flows, like the Susquehanna herself - an anthology that twists and winds its way, surely, into every aspect of the lives of the people of an entire region.
Here's to 20 years of FootHills Publishing, and here's to 20 more.
Dan Waber & Jennifer Hill-Kaucher
Editors
Listening to Water
is a 100 page hand-sewn book with spine - $16.00
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an anthology from
the Inmates' Poetry Workshop
of Auburn Correctional Facility
Auburn, New York 2001-2009
“Listen, America! These poems are the best of what Robert Pinsky's Democracy, Culture and the Voice of Poetry, describes as an attempt to balance our national Memory. Open your eyes, mind, and hearts to the simple, frank, unsettling beauty.”
-Vincent F. A. Golphin, PhD, poet, author of Like A Dry Land: A Soul Journey Through the Middle East
"Hearing of my writing class at Albion, well-meaning friends would say, 'How great to be helping imprisoned women find their voices!' Just as Pat Schwartz has, I've met instead inmates with pages of writing, much of it already astounding. In this anthology, one poet asserts, 'No, I am not voiceless...' Indeed! So give these men what they really want to find: not their voices-but your ear, or, in this case, your eye!"
-Karen Anderson, poet and prison volunteer
Monday Night Poetry is special because it's the only place in this petrified world where we can gather round the campfire of our souls and give life to our joy and pain.
-Michael Rhynes, co-facilitator of the Inmates'
Poetry Workshop at ACF and author of
Guerillas in the Mist, and Other Poems...
This unique collection gives voice to those individuals who have been shuttered away. Their voices in turn open a dialogue we all need to think about.
-Dale Davis
Executive Director, The New York Literary Center
Reading the poems in this anthology felt freeing. The fiery, raw, raven-eyed honesty of its incarcerated men's work made me feel less locked inside whatever bars of ignorance, anger, fear, and stereotypes I'm peering through. I am grateful to these poets for the brave dignity of their words-for being my teacher. A dark night of the soul journey, indeed, but one which guides the reader out into a shock of transcending light.
-Susan Deer Cloud, poet, editor
and author of The Last Ceremony
From the Forward by Janine Pommy Vega:
Reading Doing Time to Cleanse My Mind, I realized the poems were created
in the supportive environment of a writing workshop. After ten years and
thousands of manuscripts read for the PEN Prison Writing Awards (PEN stands
for Poets, Editors & Novelists, an international association of writers), I
have learned to recognize poems from whatever confined corner of this nation
someone or some group is actively working on his/her/their craft. The nuts
and bolts are hidden, but the images are nailed in place, and the
imagination leaps out in an arc that touches the reader.
Week after week the writers of this anthology gathered in some corner of
Auburn Prison, brought together by the arrival of a visitor, the poet
Patricia Roth Schwartz. The whole premise and requirement of weekly writing
sessions brought about the inspiration, formulation, creation, sharing, and
thereafter the editing of these poems. They are the works of writers
concerned with the big questions: Who am I? What am I doing here? What is
this society I am part of? What about my loved ones, how can I serve them?
. . . . .
Having read through the contents of this anthology several times these
past weeks, I have earmarked my personal favorites-both writers and
poems-which I will not share with you. Rather I urge you to pick your own.
Novelist Bernard Malamud, who once served as president of PEN American
Center, said, and I'm paraphrasing, that his belief in a fellowship of
writers had to do with fostering “literature as a civilizing force in an
unstable world; a literature that gives flesh and bones and perhaps a brain
to the politics that assail us; a literature that entices us to understand
and value life.” That pretty much describes the book you're holding in your
hands
From the Introduction by Patricia Roth Schwartz:
What's it like for a teacher to enter the school where she plans to
teach, not through ivy-covered arches into a sunlit book-lined classroom,
but by passing under a hulking stone entry worthy of a medieval fortress,
then submit to a metal detector, a search of her briefcase, having
previously had a mug shot and fingerprints taken? Then she walks, not
across a grassy campus, but over an asphalt-surfaced walled yard, escorted
by armed guards, past towering turrets manned by gunmen, into a building
sparsely stocked with only basic furniture, no supplies, and peeling paint.
Intimidating? Fearsome? Perhaps… Yet what's it like to find her students pouring into the meager
classroom brimming with eagerness and enthusiasm, clutching sheaves of poems
and stacks of manuscripts they've been working on for years, many
self-educated in subjects ranging from mythology to history to world
religions? Thus began my experience as a volunteer facilitator of an
inmates' poetry workshop inside Auburn Correctional Facility, a maximum
security men's prison first built in 1821, with most of its original
forbidding architecture still intact.
Proceeds: The editors of this book are donating all their profits from book sales to the Raven's Wing Fund, which provides free copies to the poets' families and friends and to present and future members of the Inmates' Poetry Workshop at ACF, as well as helping to make possible future publishing projects.
doing time to cleanse my mind
is a 76 page hand-stitched paperbook with spine
$16.00
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I WAS INDIAN
(before being Indian was cool)
AN ANTHOLOGY OF
NATIVE LITERATURE
VOLUME I
Edited by Susan Deer Cloud
TABLE OF CONTENTS
I Was Indian - Introduction Susan Deer Cloud 9
Paul Hapenny
Halfbreed Boy 15
Reverie on the Southeast Expressway 17
The Indian Joke 19
Pain of Mystic 21
Monty Campbell
Rez Photos 22
Lamentation 23
On Ancient Land 24
Organic Turmoil 25
Warm Winter 26
Paula Gunn Allen
America the Beautiful V 27
A Trick of Light 28
Sayra Pinto-Wilson
The Story I Will Tell the Youngsters When I Am Old 29
Hiking With My Uncle Carlos 31
Charles Bane, Jr.
Widening 32
Lance Henson
All the Names 33
From Jordan 34
Crossing 35
A Sudden Dislocation & Passages 36
Here 37
Sarah Littlecrow-Russell
Storm Poems 38
Indian Child Support 39
I Do Not Know Your Name 40
Atlantic Bridge 41
Stephanie Elliot
Consider the Pinpoint of Entry 42
Chip Livingston
Coon Was Here, 1985 44
Crow Blue-Crow Black 46
Apalachee Tuscaloosa 47
Dave Brinks
In Stone Stelae, in Nebulae 48
The Ouroborous 49
John David Henson
Watching TV 50
Early Morning Storm 52
Learning to Let Go 53
Cedar Firesong Robideau
Firesong, Dark, Death 54
Barney Bush
Arrows 55
A June Wind Above Regina 57
Black Bear
Indian Man 59
Winter Stillness 60
Briget Truex
Song 61
nila northSun
Pale in the Desert 62
Poetic Phrases 63
Sandra Haley
Marvin's Funeral 64
Kim Shuck
Objects May Be Closer Than They Appear 65
Asani Charles
Indin Souljer Boy 67
J.P. Dancing Bear
A Brief Informal History 68
Diane Way
NDN Blues 69
Rick Kearns
Kill the Indian 72
Martin Esapada
Colibrí 74
All the People Who Are Now Red Trees 75
Charles Johnson
Piedras Negras 76
Ron Welburn
String Theory 77
Mohawk Memory (Schoharie County, N.Y.) 78
Every Morning Is a Season 79
James Autio
Nind Inaabandam/I Dream 80
Lemon Poppyseed 81
Ahimsa Timoteo Bodhrán
Hibernate 82
Eric Schwartz
New World 83
Gary Wilkens
Indian Recycler 84
82 MPH on the NY State Thruway 85
Jennifer Lemming
Quilting Circle 86
Kim Becker
Beloved Woman 87
Linda Hogan
Dimensions 88
Affinity: Mustang 90
Matthew C. Wolfe
On the Rez 92
O Great Spirit 94
Thomas Hubbard
Lakota Woman 96
This Morning's Blues 97
Vicenti Kurle Caljesuseso
Sweet T 98
DeLyssa Begay/Black Sheep Woman
Bear 99
Joe Bruchac
Wawanogit 101
Ghost Song 102
Rane Arroyo
No Burying Echoes 104
The Blue Lagoon (a Remake) 106
Latona Swan-Ena
Counting Coup 107
Alice M. Azure
Walking in the Rain 111
Tiffany Midge
Imagining Yes 112
A Song for Conjuring Shelter 113
Ray “Moose” Jackson
I Want to Make Love to You 114
Susan Deer Cloud
Horse 116
Sugar Daddy 117
Our Parallel Universe 118
From the book:
I WAS INDIAN INTRODUCTION - Susan Deer Cloud
Then all Indians
lived in country
my people in Catskills
where Indians
were “part Indian”
families extended
including boy cousins
too numerous to count
including wolf-eyed friends
also “part Indian”
All Indian kids
flung rocks burrs snakes
at non-Indian kids
dumb enough to wander
onto Indian territory
in my case School Street
no white girls dared wear
a snake necklace the way
an Indian girl dared to
every Indian child
got savaged by teachers
teaching Indians are savages
Little Indian rebels with a cause
got low grades if they spoke up
against so-called founding fathers
who stole Indian land made
Mother Earth their whipping girl
all the budding warriors' mothers
warned them not to tell outsiders
their dreams beautiful ways
lest they'd be caged as crazy
Long time ago
when all Indians
went berry picking
strawberries in June
blackberries in July
blueberries in August
beechnuts and apples in fall
boys men hunting fishing
wild meat for every meal
joking you are what you eat
All our wild boys
tongues tasting of fried trout
plump berries hard cider
the way third cousins tasted
when we bartered kisses
in high mountain meadows
when kisses howled forth
shadows of panthers
passenger pigeons
oh my lost wild heart
And continuing genocide
the ones who tried to shame us
called us dirty dumb
our untamed tenderness suspect
when all our mothers led us
to the rivers of summer
when our small bodies
wept into the waters
under mountain laurel slopes
when we let our salt grief
wash out to the seas of deepness
Breathing in then white pine
blue spruce firefly nights
when Indians stood up for Indians
no one carried an identity card
no one had to whisper
they hated the U.S. Government
no professors informed us
we were Native Americans
when America didn't hunger to be US
believed eastern Injuns were all dead
When we survivors gathered
beneath a Tree of Peace
but no one called it that
we had swallowed the garbage of exile
for too many centuries
we simply sang played together
cradled babies together
that was our powwow
no bumperstickers for sale
no I was Indian before being
Indian was cool to slap
on all our rusting Indian cars'
proud rear ends
only our dreamcatcher faces
refusing to vanish
LAMENTATION - Monty Campbell
Angel of light,
angel of simple alabaster,
gun breath or whiskey,
connect me to dirt,
let me find a brother
in this ancient,
sacred soil,
let the turtles wake
wash me upon an
unshrapneled shore,
take my simple cloth
and sew it to the
sky world
where an old woman's hands
would heal me to sleep,
make the stripes of an
unwanted father bleed on the
hands of a father forgotten,
let him awake,
let them all awake,
pound the drum until the
fire is blazing, until
every spirit stands
or dances.
AFFINITY: MUSTANG - Linda Hogan
Tonight after the sounds of day
have given way
she stands beneath the moon,
a gray rock shining.
She matches the land,
belonging.
She has a dark calm face,
her hooves like black stone
belong to the earth
the way it used to be,
long grasses
as grass followed rain
or wind laid down the plains of fall
or in winter now when
her fur changes and becomes snow
or her belly hair turns
the color of red water willows
at the creek,
her legs black as trees.
These horses
almost a shadow,
broken.
When we walk together
in the tall grasses, I feel her
as if I am walking with mystery,
with beauty and fierce powers,
as if for a while we are the same animal
and remember each other from before.
Or sometimes I sit on earth
and watch the wind blow her mane and tail
and the waves of dry grasses
all one way
and it calls to mind
how I've come such a long way
through time
to find her.
Some days I sing to her
remembering the Kiowa man
who sang to cover the screams
of their ponies killed by the Americans
the songs I know in my sleep.
Some nights, hearing her outside,
I think she is to the earth
what I am to her,
belonging.
Sometimes it seems as if we knew each other
from a time before our journeys here
In secret, I sing to her, the old songs
the ones I speak in my sleep.
But last night it was her infant that died
after the kinship and movement
of so many months
Tonight I sit on the straw
and watch as the milk streams from her nipples
to the ground. I clean her face.
I've come such a long way through time
to find her and
it is the first time
I have ever seen a horse cry.
Sing then, the wind says,
Sing.
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